The Forshage Hollow Body Electric Guitar
Did you know you can subscribe to email or RSS alerts of new articles?
Along side a range of archtop and hollow body guitars, Texas luthier Chris Forshage of Forshage Custom Instruments builds an exciting hollow body electric guitar that takes ergonomics seriously.
Chris came up with the idea for his ergonomic guitar after trying a Klein Electric Guitar. As Chris puts it, he “played one and really liked how it sits on the leg. After playing the Klein everything else seem to sit too low, too close to the leg.”
However, Chris found “there were other aspects of the instrument that weren’t so great. No truss rod was a big one. ” (The Klein is a guitar without a trussrod in its rosewood neck.) He also “figured that a hollow body and a set neck would sound pretty good as well as help the weight (mine weighs about six pounds).”
Inspired by the Klein guitar, the Teuffel Tesla and the Ovation Breadwinner, Chris arrived at a shape that retained the advantage of the Klein’s lower bout shape (the area that sits on the leg) while reworking the rest of the shape. In the process, he addresses the elbow area which “on the Klein bothered me so I made it smaller and more comfortable. I then had to move the neck joint farther down the neck to keep it balanced.”
The result is a unique instrument which is lightweight, well-balanced and comfortable.
Coming up soon - Due to the generosity of Building the Ergonomic Guitar reader Dr. Marc Ybaben of the jazz group, The Marc Why Group, we’ll have an opportunity to see elements of this guitar during the build process. Marc currently has one in the works and has been kind enough to share a number of pictures showing various details.
By
on
April 16th, 2007
| 
Stumble it!
I had the pleasure of meeting Chris when his band Ohn (fantastic band, by the way… do check them out!) played in Toronto a while back. He was playing what I assume was the prototype, and as soon as I saw it onstage, I knew I had to ask him about it.
Chris was kind enough to let me pluck at it, though I didn’t have the chance to actually play it much… and it was something else!
You’ll notice that unlike other headless models, the Forshage has a small “headstock,” which gives your hand all the familiar tactile clues that you’re in the lower position. So for people who feel like their hand is dropping off the edge of the world on a Steinberger, this addresses that issue. Plus, it’s a cool little area for an inlay.
I was in touch with Chris a short while ago to ask him for some more details on that guitar (I am planning my own headless, though I finally realized I don’t have a shop, so it’s being comissioned). It occurred to me to suggest he check out “Building the Ergonomic Guitar,” at which point Chris told me that he’d already been exchanging communication with Robert.
Goes to show what a small world it is, especially in this specialized part of it.
Looking forward to those build pictures– I didn’t actually know until today that Chris was building another ergonomic guitar. Exciting!
Greg
[Reply]
Robert Irizarry replied on Apr 17th, 2007 at 2:47 pm
Very cool, Greg! I wasn’t aware of the band - I’ll have to check them out. Meanwhile, I’m looking forward to sharing the pictures Marc provided of his guitar in progress.
[Reply]
The only guitar I can play is the one one guitar hero.
[Reply]
Robert Irizarry replied on Apr 19th, 2007 at 7:01 am
Well, I haven’t gotten around to covering how to build a Guitar Hero controller yet but when I do, I’ll let you know.
[Reply]
I like it! Has sort of an “abbreviated Breedlove” thing going on. Cool top wood and sound hole. Y’all are on to something!
[Reply]
Robert Irizarry replied on Apr 21st, 2007 at 8:45 am
I definitely think Chris Forshage has something with his design. I’d love to see a solid body version of this one as well.
[Reply]
im younger and i think its not the most stylish model i’ve seen but it might have some potencial
[Reply]
Robert Irizarry replied on Jul 7th, 2007 at 9:48 am
I would point out that youth is no guarantee against health issues like Repetitive Stress Injury or other musculoskeletal disorders like chronic back pain. Our culture increasingly exposes us to activities that can lead to these conditions. Do you play video games, work at a computer, play guitar, etc. All of these are factors. There are even reports coming out now that small children are showing signs of RSI.
Thanks for commenting!
[Reply]
My goodness that is a thing of beauty!
[Reply]
I would like to put a question to those who know everything about it the Forshage and/or Teuffel Tesla guitars. On certain headless custom guitars, such as the Forshage and Teuffel Tesla, the body seems to be contoured like it is carrying in over the necks upper side quite a bit on up, say towards the 13th or 14th fret.
I wonder why?
1. Is this just to make the set neck more stable?
2. Does it produces any ergonomic benefits?
3. Is it just pure design astesthetics?
It can be a combination of all three, though
I can think that “the-thumb-around-the-neck” bends on solos and blues vibratos will be a little trickier to carry out on the upper frets. Purists who’re stuck to thumb-behind the neck does not care of this, but anyway.
I was thinking that this could MAYBE be act as a “lever stopper” or keep the guitar from wiggling and bouncing around when doing fast things, such as tapping. Or that the weight balance and mass is slightly moved forward towards the neck, should the body be of very light wood.
Just an observation I’ve made in the past, of both Forshage and Teuffel/Tesla guitars. I think German manufacturer BASSLAB also has one or two basses designed like these of composite material.
Anyone?
[Reply]
Mats,
If you look carefully, you’ll see that the upper region is fairly heavily contoured, likely making it feel as though the neck continues further along. Of course, your thumb won’t be able to hook FULLY over the fretboard, but it won’t feel quite as cumbersome as it might look from the front.
I’ve heard of people doing this extended bout for 2 reasons– 1. better placement of the neck button assist correct balancing when worn with a strap; 2. aesthetics.
Of course, I can’t say for sure why Chris made his choice, but I suspect it was primarily #1 with a bit of #2.
[Reply]
Thanks a lot GregP.
Now, that is intersting, better placement of neck button, when used with a strap. Hmm, wonder how those feels compared to a Klein, in the bouncing around dept.
[Reply]
I think Teuffel has said something about enhanced bass frequency string vibrations? Newbie Brad
[Reply]
Robert Irizarry replied on Feb 13th, 2008 at 7:05 am
In reference to extending the upper body region into the neck? I think I’ve read this as well.
[Reply]
By increasing the glueing surface on the bass side, you can get rid of more wood on the treble side, making for a stable neck with easy access on the treble side, where your hand’s coming from anyway.
It also makes the instrument balance better by moving the strap button and the center of gravity more towards the center. I really like a guitar to sit still when played sitting or standing and it does.
Right now I am working on one for a guy who values the ability to thumb-wrap in the upper register. It’s going to be more of a neck-through so I can get rid of the bass side wood while leaving sort of a little upper horn(hornette?) sticking out for the strap button. Sounds weird but I think its actually going to be pretty cool!
More on that later.
[Reply]
Chris, so cool to see you participate here on the blog. I’m coming out of hiding to post as a result!
I’ve been learning flamenco for the past few months, which has put all my electrics on standby (and tradition trumps ergonomics).
But this focus change has helped make it clear that my orange Forshage is still the one electric I’d grab if my house was burning! And I’ve been through over 50 guitars in my time.
So, THANKS and keep up the awesome work dude.
Roger
[Reply]
Robert Irizarry replied on Mar 10th, 2008 at 3:12 pm
@Roger: Welcome back! You’ve been missed.
[Reply]
This is fabulous. I’d love to price one, but couldn’t find any way to contact Mr. Forshage through his website; there were only some pictures of (beautiful) archtops, and no contact info. (I’m using Firefox; perhaps I had a compatibility issue?0
[Reply]
Robert Irizarry replied on Mar 17th, 2008 at 12:09 am
@James - You hit it right on the head. It is, in fact, a compatibility with Firefox. View it through Internet Explorer and you’ll see the missing contact information. Chris is aware of it - I pointed it out a while back.
In any case, you can reach Chris by writing him at info [AT] forshage [DOT] COM. (Just assemble it back into a normal email address).
[Reply]
Thank you, Robert. By the way, when I had tendinitis some years ago, the most authoritative book I found on musicians’ problems with RSIs was Performing Arts Medicine
, edited by Robert Thayer Sataloff, M.D., among others.
It was quite expensive, and aimed at doctors and surgeons, but it was by far the most comprehensive and scientifically-grounded exploration of musicians’ injuries I ever found (it covers not only guitarists, but all instrumentalists, as well as vocalists and dancers). I think a newer and less expensive version has been published (I had the second edition, from 1998, which was put out by Singular Publishing Group).
[Reply]
Robert Irizarry replied on Mar 21st, 2008 at 7:17 pm
@James - Thanks so much for the reference! It looks like quite the resource but it sure is one expensive book. Nonetheless, I appreciate it and I’ll look into it further.
[Reply]
May 15th, 2007 at 6:34 am
La Guitarra Eléctrica de Chris Forshage - Una Nueva Visión de la Ergonómia…
Inspirado por varios diseños, Chris Forshage demuestra una vista moderna del instrumento….
Jun 24th, 2007 at 11:38 am
[...] The Forshage Hollow Body Electric Guitar - This radical headless custom electric guitar by Austin luthier Chris Forshage continues to garner [...]
Jun 24th, 2007 at 1:08 pm
[...] The Forshage HollowBody Electric Guitar - This was hands down the most popular article of the month despite it posting in the middle of the [...]
Jun 29th, 2007 at 2:24 pm
[...] an electric guitar based on an ergonomic shape. Alex notes both the Klein Electric Guitar and the Forshage Electric Guitar as influences for the shape. Here is an early image that suggests what we can look forward [...]
Jul 2nd, 2007 at 8:39 am
[...] only jazz guitarists willing to explore unique instruments like the Klein Electric Guitar and the Forshage Hollowbody Electric Guitar? Whatever happened to rock being the music of [...]
Jul 11th, 2007 at 7:20 am
[...] to the RSS feed or email updates.A source of inspiration for both the Klein Electric Guitar and the Forshage Headless Electric Guitar, seen and heard in this demo by Roger Placer, the Ovation Breadwinner’s ergonomic stylings [...]
Aug 1st, 2007 at 2:21 pm
[...] You’ll also enjoy seeing Roger’s Forshage Hollowbody Guitar demo which illustrates the range and versatility of this radical electric guitar. [...]
Aug 9th, 2007 at 9:23 pm
[...] The Forshage Hollow Body Electric Guitar [...]
Aug 29th, 2007 at 9:59 pm
[...] The Forshage Hollow Body Electric Guitar | HOME | Making the Forshage Hollow Body Guitar - Building the Guitar Body [...]
Sep 13th, 2007 at 10:36 am
[...] the original Ovation Breadwinner (an inspiration for the subsequent Klein Electric Guitar and the Forshage hollowbody guitar) and updated it into this 12 string electric guitar made from striking AAAAA figured sapele [...]
Oct 12th, 2007 at 7:52 am
[...] seen Roger featured before playing his other main guitar - the Forshage electric guitar - a state of the art custom guitar designed with ergonomics as a primary goal. For a great tour of [...]
Oct 23rd, 2007 at 3:24 am
[...] You can read the rest of this blog post by going to the original source, here [...]
Dec 14th, 2007 at 4:25 pm
[...] seen an introduction to the Forshage Hollow Body electric guitar and then pictures showing Chris’ approach to making the Forshage guitar neck, it’s now [...]
Dec 24th, 2007 at 12:36 am
[...] The Forshage Hollow Body Electric Guitar - First featured in April, the Forshage hollow body electric guitar is influenced by the Klein [...]
Jan 21st, 2008 at 10:51 pm
[...] Placer plays Harboring Days on his Forshage ergonomic electric guitar - a song with lyrics by Henrik Takkenberg. According to Roger, Henrik went on to “create [...]
Feb 4th, 2008 at 6:20 am
[...] Chris Forshage’s Ergonomic Electric Guitar - Forshage’s wonderful interpretation of the ergonomic guitar, while in part influenced by the Klein electric guitar, also seeks to address some of its concerns - including the lack of a truss rod in the Klein’s neck. [...]
Mar 17th, 2008 at 8:48 pm
[...] Giglio performs on his Forshage electric guitar with Jimmy Halperin on saxophone from a September 29th, 2007 outdoor concert in my old stomping [...]
Mar 19th, 2008 at 9:22 pm
[...] keeping with his Forshage ergonomic guitar design, it’s a hollow body with ABM bridge hardware. While the original design is already [...]
Mar 28th, 2008 at 3:27 pm
[...] For our first coverage of the Forshage guitar, see The Forshage Hollow Body Electric Guitar. [...]
May 3rd, 2008 at 6:36 pm
[...] The Forshage Hollow Body Electric Guitar - Chris Forshage’s ergonomic electric guitar continues to delight readers. This was our first coverage on his fine work and certainly not our last. [...]